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D\u00e8s le seuil du 74 rue du Loup \u00e0 Bordeaux, le ton est donn\u00e9 : chaque d\u00e9tail invite \u00e0 la d\u00e9couverte, chaque \u0153uvre \u00e0 la contemplation. Un lieu \u00e0 explorer pour ceux qui osent franchir la porte. Fran\u00e7ois Xavier Bertrand, le ma\u00eetre des lieux, s\u2019est r\u00e9fugi\u00e9 dans cet espace il y a de cela une dizaine d\u2019ann\u00e9e. Ce baroudeur artistique, aussi \u00e9nigmatique puisse-t-il \u00eatre, est ostensiblement anim\u00e9 par la passion du coup de coeur. Appel\u00e9e maison d\u2019art, la devanture v\u00e9g\u00e9talis\u00e9e d\u00e9note des autres fa\u00e7ades bordelaises. Ici, vous \u00eates chez lui, et invit\u00e9 \u00e0 vous laisser porter par son univers dans trois espaces distincts : l\u2019entr\u00e9e, le patio et le grand salon. Pierres chaleureuses, musique inspirante et lumi\u00e8res pertinemment install\u00e9es subliment ce moment hors du temps. Loin des galeries traditionnelles \u00e9pur\u00e9es, Fran\u00e7ois Xavier Bertrand ne vend pas de simples objets d\u2019art, mais des \u00e9motions. Le collectionneur aime laisser les amateurs d\u2019art le questionner, ici sur la mati\u00e8re d\u2019un visage en gr\u00e8s de la c\u00e9ramiste Daphne Carregan et l\u00e0 sur les hybridations entre l\u2019homme et l\u2019animal r\u00e9alis\u00e9es \u00e0 base de bois et de mat\u00e9riaux naturels de la main de l\u2019italien Andreas Senoner. \u00c0 cette balade entre le bronze, le m\u00e9tal et l\u2019argile, s\u2019immiscent, parmi tant d\u2019autres, des peintres talentueux comme Kim Dorland, ou Olivier Masmonteil, entre le figuratif et l\u2019abstrait, compl\u00e9tant ainsi l\u2019incontournable collection de masques am\u00e9rindiens. Entour\u00e9 d\u2019une cinquantaine d\u2019artistes, le galeriste \u00e9volue dans l\u2019\u00e9clectisme de ses go\u00fbts et de son \u00e9poque. Chacune des oeuvres propos\u00e9es \u00e0 la vente a ainsi vocation \u00e0 trouver sa place chez ses clients, tant qu\u2019elle a \u00e9t\u00e9 choisie avec le coeur.<\/p>\n
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N\u00e9 dans le 17 \u00e8me arrondissement de Paris, Fran\u00e7ois Xavier Bertrand b\u00e9n\u00e9ficie tr\u00e8s t\u00f4t d\u2019une sensibilisation artistique gr\u00e2ce \u00e0 des parents amateurs d\u2019art et collectionneurs qui lui font d\u00e9couvrir leur passion tout au long de son \u00e9ducation. Entour\u00e9 de belles choses autant du r\u00e9pertoire classique que tr\u00e8s contemporain, c\u2019est le hasard d\u2019une rencontre vers 17\/18 ans qui l’entra\u00eene \u00e0 New-York et Washington o\u00f9 il fait la tourn\u00e9e des mus\u00e9es et des galeries se d\u00e9couvrant un app\u00e9tit insatiable pour l\u2019art, une curiosit\u00e9 jamais \u00e9panch\u00e9e, un d\u00e9sir de rester toujours connect\u00e9 \u00e0 ce milieu cr\u00e9atif qui l\u2019anime d\u2019un feu sacr\u00e9.<\/p>\n
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N\u00e9 dans le 17 \u00e8me arrondissement de Paris, Fran\u00e7ois Xavier Bertrand b\u00e9n\u00e9ficie tr\u00e8s t\u00f4t d\u2019une sensibilisation artistique gr\u00e2ce \u00e0 des parents amateurs d\u2019art et collectionneurs qui lui font d\u00e9couvrir leur passion tout au long de son \u00e9ducation. Entour\u00e9 de belles choses autant du r\u00e9pertoire classique
que tr\u00e8s contemporain, c\u2019est le hasard d\u2019une rencontre vers 17\/18 ans qui l’entra\u00eene \u00e0 New-York et Washington o\u00f9 il fait la tourn\u00e9e des mus\u00e9es et des galeries se d\u00e9couvrant un app\u00e9tit insatiable pour
l\u2019art, une curiosit\u00e9 jamais \u00e9panch\u00e9e, un d\u00e9sir de rester toujours connect\u00e9 \u00e0 ce milieu cr\u00e9atif qui l\u2019anime d\u2019un feu sacr\u00e9.<\/p>\n
Si la vie pendant un temps en d\u00e9cide autrement en l\u2019entrainant dans une autre carri\u00e8re, elle lui permet toutefois par ce biais de multiplier les rencontres qui n\u2019auront de cesse de perp\u00e9tuellement le ramener vers sa passion, lui offrant de nombreuses opportunit\u00e9s de d\u00e9couvrir de nouveaux artistes et de nouveaux lieux.<\/p>\n
En parall\u00e8le, il poursuit inlassablement ses voyages, toujours avide de d\u00e9couvertes, notamment dans le Pacifique Sud qu\u2019il arpente r\u00e9guli\u00e8rement.<\/p>\n
Autodidacte et entier, il ne se fie qu\u2019\u00e0 sa sensibilit\u00e9, \u00e0 ses coups de c\u0153ur, \u00e0 ses \u00e9motions face aux \u0153uvres et aux artistes qui croisent son chemin. Si l\u2019esth\u00e9tique est importante, la mati\u00e8re l\u2019est tout autant pour lui. Reliefs, textures et couleurs doivent lui procurer une \u00e9motion forte, comme une rencontre, raconter une histoire, \u00e9voquer un sentiment, lui parler. Il s\u2019agit de sensibilit\u00e9, de sensualit\u00e9 aussi, de rapport \u00e0 la vie et au vivant, d\u2019\u00eatre pr\u00e9sent plut\u00f4t que de para\u00eetre sur l\u2019instant. L\u2019art n\u2019est pas pour d\u00e9corer, pour s\u2019enrichir ou se faire valoir, il est pour ressentir, s\u2019\u00e9mouvoir, s\u2019interroger, s\u2019ouvrir.<\/p>\n
La maison d\u2019art de ce provocateur de curiosit\u00e9 est maintenant ouverte au public depuis quelques ann\u00e9es. D\u2019abord compos\u00e9e en partie de sa propre collection, c\u2019est surtout sa rencontre avec Corinne Bailly, et sa d\u00e9couverte des masques d\u00e9riv\u00e9s des croyances et rites chamaniques des Indiens Embera du Panama, qu\u2019il d\u00e9cide de clore un chapitre de sa vie et de se consacrer d\u00e9finitivement et totalement \u00e0 sa passion pour l\u2019art.<\/p>\n
D\u00e8s lors, il agrandit son espace d\u2019exposition pour accueillir de plus en plus d\u2019\u0153uvres qu\u2019il d\u00e9niche dans les biennales de Venise, Milan, Paris, en d\u00e9vorant la presse sp\u00e9cialis\u00e9e et en parcourant les sites internet \u00e0 la recherche de nouvelles p\u00e9pites.<\/p>\n
Au fur et \u00e0 mesure de ses trouvailles, il acquiert rapidement aupr\u00e8s des artistes une excellente r\u00e9putation due \u00e0 la sinc\u00e9rit\u00e9 de sa d\u00e9marche, son enti\u00e8ret\u00e9, son franc parler aussi et nous propose de
d\u00e9couvrir des cr\u00e9ateurs internationaux et vari\u00e9s : Thierry Carrier, Fabienne Lecornet, Daphne Corregan, Andreas Senoner, Mart Schrijvers, Fran\u00e7ois Bard, Franco Zucchella, Olivier Masmonteil,
Marie-Laure Griffe, Pascale Catoire\u2026. Ils sont nombreux.<\/p>\n
Ainsi, cette maison d\u2019art d\u00e9borde d\u00e9sormais d\u2019\u0153uvres tr\u00e8s h\u00e9t\u00e9roclites, tant dans le style que dans les mat\u00e9riaux : peintures, sculptures, c\u00e9ramiques, masques Embera et taxidermie d\u2019une d\u00e9licatesse rare se c\u00f4toient sans s\u2019\u00e9clipser, se r\u00e9pondent dans un environnement accueillant et chaleureux, abrit\u00e9 derri\u00e8re la discr\u00e8te fa\u00e7ade du 74 rue du Loup. A Bordeaux. Une fois de plus il ne s\u2019agit pas de faire voir, mais bien d\u2019attiser la curiosit\u00e9 et le d\u00e9sir de d\u00e9couverte, de rencontrer, d\u2019oser pousser la porte, d\u2019entrer dans l\u2019intimit\u00e9 d\u2019un univers \u00e0 part, en permanente \u00e9volution, car vivant et g\u00e9n\u00e9reux, de tomber en amour d\u2019une \u0153uvre que nous serions heureux de d\u00e9placer, partager, transmettre, comme aime \u00e0 le dire Fran\u00e7ois Xavier Bertrand, ce provocateur de curiosit\u00e9 toujours ravi de vous ouvrir grand les yeux, l\u2019\u00e2me, le c\u0153ur et, bien s\u00fbr, sa porte.<\/p>\n
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74 Rue du Loup
33000 BORDEAUX
FRANCE<\/p>\n
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Lun. – Sam. : 11h00 \u2013 19h30
Dim. : 14h00 \u2013 18h30
Jours f\u00e9ri\u00e9s : ferm\u00e9<\/p>\n
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Un lieu \u00e0 explorer pour ceux qui osent franchir la porte. Fran\u00e7ois Xavier Bertrand, le ma\u00eetre des lieux, s\u2019est r\u00e9fugi\u00e9 dans cet espace […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-24","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/pages\/24","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":48,"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":1585,"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/pages\/24\/revisions\/1585"}],"wp:attachment":[{"href":"https:\/\/francois-xavier-bertrand.com\/index.php\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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